Drunk & Disorderly

Mar. 27th, 2026 07:02 pm
[syndicated profile] ao3_discworld_feed

Posted by wherearemyberries

by

“Are you drunk?” Vimes hissed.

“I’m still functional…”

“Oh, so definitely drunk then.”

------

Or, Vetinari gets drunk on Scumble.

Words: 2463, Chapters: 1/1, Language: English

pegkerr: (A light in dark places LOTR)
[personal profile] pegkerr
I made three entire collages this week, and rejected the first two of them. I guess they were aesthetically fine, but they were about subjects I'd touched on before, and I was dissatisfied that I was saying anything new and didn't feel like rehashing everything.

My problem was partly that I didn't feel I had much to work with this week, because I fell ill partway through the week, and everything dissolved into that. At first, I was afraid I had contracted Covid, as some of the symptoms matched. Everything became a blur, and I was barely able to care for myself (Eric, bless him, did do an emergency grocery run for me). I did order Covid tests from the drugstore and had them delivered, but I kept testing negative.

After three days of blurred and surreal misery, I recovered. Eventually, I decided it was just a particularly virulent general bug with a heaping side of extremely gross gastrointestinal effects.

Okay, not very interesting to do yet another collage about being sick, either. But what particularly struck me about falling ill this time was how very helpless and isolated I felt. It touched upon one of my great fears about living alone. And that, more than the illness itself, is what I tried to capture in the images I used.

I experimented with technical effects to do this, extracting the figure on the bed and mixing it with an image of bare tree branches, and then overlaying the result back over the same position on the bed (keeping the bed itself in clear focus). I then used the same tree branches as a scrim overlay in the background. I was trying to capture the sense of dissolving, the fear that I might actually fade into nothingness and not be able to come back.

I did come back. This time.

I always have a lurking fear that I won't manage to do so the next time.

God, I just hate living alone.

Image description: Foreground: a woman lies on a bed, either asleep or ill. The bed is focused but the woman is indistinct, as if run through by cracks. Background above the bed: the blurred image of a woman with closed eyes, overlaid by a scrim of semitransparent leafless branches.


Dissolving

12 Dissolving

Click on the links to see the 2026, 2025, 2024, 2023, 2022 and 2021 52 Card Project galleries.
[syndicated profile] joseph_mallozzi_feed

Posted by Joseph Mallozzi

Whew.  It’s been a busy/exhausting week between the writers room, some script work, a few meetings, and preparations to depart L.A. next Friday.  So much so that I forgot to post yesterday’s blog entry.  So, today, you get TWO posts.  One now and one later now.

Not sure what’s going on, but I’ve been having trouble sleeping.  I fall asleep at around 10 p.m., then wake up in the middle of the night and sleep fitfully til 6:30 a.m. after which I am UP if not exactly AT ‘EM.  Despite being awake, I’m usually too tired to check the time, but I’ve always assumed I’ve been waking up between 3-5 a.m.  Last night, I put in the effort and checked my phone.  12:30 a.m.!!!  A mere 2 hours of restful sleep!  How long does it take REM to kick in?  I recall seeing a youtube video ages ago that tells you exactly what is wrong with you by the time you wake up in the middle of night – but can no longer track it down.  Any experts out there?

Last night, I had a dream that my old pug, Suji, was actually adopted by the owners of a local pub and had become the establishment’s beloved mascot.  I was excitedly making my way down for a Pilsner and a reunion when I woke up.

What do you think?  Anxiety-related?  But I don’t feel particularly anxious outside of this script and the state of world (P.S. Did I warn you all to stock up on food, water, and toilet paper?).

It’s a mystery.

 

The post March 26, 2026: A day late and a night’s sleep short! appeared first on Joseph Mallozzi's Weblog.

trobadora: (Black-Cloaked Envoy)
[personal profile] trobadora posting in [community profile] sid_guardian
Quick reminder that this year's 520 Day Reverse Exchange sign-ups close in three hours. If you've been meaning to sign-up, this is your last chance! :)
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2026/044: Tuesday Mooney Wore Black — Kate Racculia

Dex believed in coincidences, and fate, and signs and wonders, and the great interlocking gears of the universe telling him to do things, and though he’d gotten pretty good at ignoring what the universe was telling him to do (most recently: quit your soul-sucking job and open a karaoke bar!), it didn’t mean he couldn’t still hear it screaming.
[loc. 2810]

Tuesday Mooney has a comfortable life: she lives alone, except for her cat Gunnar: she tutors Dorry, her teenage neighbour who's still mourning her mother, and excels at her job as a prospect researcher for a hospital fundraising team. Her best friend is Dex (short for Poindexter), who works in finance but craves a career in showbiz. Her best friend was Abby Hobbes, but Abby vanished one night when they were both fifteen. (Tuesday tried to contact her via Abby's Ouija board, but nobody ever answered.)

Read more... )

Feeling the Ugh

Mar. 27th, 2026 02:22 pm
yourlibrarian: IGotYou-_cuethepulse (SPN-IGotYou-_cuethepulse)
[personal profile] yourlibrarian
1) For those who use Zoom for meetings, something to be concerned about: WebinarTV Turning Zoom Calls into AI Podcasts. Stanford has issued guidelines to campus users to prevent it happening.

2) Turns out Xfinity offered us free Peacock (supposedly Peacock Premium but we have ads anyway). Getting Peacock access was quite a process though. All I should have had to do was click the email link and accept the offer. In fact, everything I tried kept sending me to a 404 page. Read more... )

3) When I finally did get into Peacock, I used it to watch Song Sung Blue and thought it was mostly an enjoyable film. I liked Hugh Jackman and Kate Hudson leaning into their ages and downplaying his looks. The music was fun and it was a nice, small scale love story. spoilers ).

3) The Peacock issue wasn't the only technical frustration of the last few days. After finishing my taxes and other to-dos I had pending, I wanted to take some time to get back into my LEGO Star Wars game on the Xbox which I'd last tried almost 3 years ago. Read more... )

4) I feel surprisingly upset to hear that Starfleet Academy is essentially cancelled. (There's another season coming but that had already been planned before S1 began). I wrote earlier about how much I was enjoying it, and that was before I watched the fourth episode. I will miss these characters, and it seems there's so much more that could be done.

5) The latest [community profile] marchmetamatterschallenge writing prompt was "How do you define genres? Is it still a useful tool to find entertainment you like, or have offerings become so niche and melded that it's hard to use categories anymore? Was it ever something useful for you, personally?"

To some degree yes, but increasingly no. Read more... )

Poll #34417 Kudos Footer-568
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Open to: Registered Users, detailed results viewable to: All, participants: 3

Want to leave a Kudos?

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Kudos!
3 (100.0%)



[syndicated profile] atlas_obscura_places_feed

Entrance to the Urartian tomb

The Urartian (Biaynian) tomb of Yerevan is located at 34 Arshakunyats Avenue, within the premises of the former “Autoaggregate” factory, now part of the “Yerevan Mall” shopping center. Its discovery dates back to 1984 during construction activities. The excavation and study of this site were conducted by the Institute of Archeology and Ethnography of the Armenian Soviet Socialist Republic, led by archaeologist Leonid Biyagov and architect Armine Kanetsyan.

To preserve this historical monument, a restoration project was initiated in 1984 under the supervision of architect Vladimir Chagharyan, followed by meticulous construction efforts.

Remarkably, the mausoleum has been well-preserved, maintaining its original condition. It spans an area of 12 square meters and is an underground rectangular structure oriented in a north-south direction. The tomb's floor is adorned with finely crafted black, red, and dark brown tuff slabs, beneath covered with crypts. The walls, constructed of hewn tuff, stand five rows tall. The ceiling consists of tuff rocks with substantial coverage.

Inside the tomb, niches are carved into the walls, containing cremated urns filled with crushed human, animal, and avian bones, alongside a large urn adorned with bull- headed figurines, a jar, a lamp, bowls, and other artifacts. Among the findings are bronze snakehead bracelets, pottery fragments, parts of horse bridles, rivets, an iron sword, a knife, daggers, agate beads, a satyr seal depicting a griffin and a crescent moon, and a bronze chalice embellished with a ram's head, as well as three bronze belts, among other items.

The discovered artifacts possess significant historical, cultural, and artistic value, representing one of the most opulent burials identified so far from the Kingdom of Van. The collection indicates that the mausoleum likely belonged to the Urartian elite.

Adjacent to the tomb, an Early Bronze Age stone box burial was also discovered. Pottery from the early 1st millennium BC was found in the surrounding area. These materials are currently housed in the Erebuni Museum in Yerevan.

Presently, the preservation of the mausoleum is overseen by the management of “Yerevan Mall.” By the way, the interior design of the mall is decorated with Urartian cuneiform engravings and showcases statuettes from the Urartian period.

Extracting Books from LLMs.

Mar. 27th, 2026 07:54 pm
[syndicated profile] languagehat_feed

Posted by languagehat

The arXiv paper Extracting books from production language models by Ahmed Ahmed, A. Feder Cooper, Sanmi Koyejo, and Percy Liang is alarming but not in the least surprising. The abstract:

Many unresolved legal questions over LLMs and copyright center on memorization: whether specific training data have been encoded in the model’s weights during training, and whether those memorized data can be extracted in the model’s outputs. While many believe that LLMs do not memorize much of their training data, recent work shows that substantial amounts of copyrighted text can be extracted from open-weight models. However, it remains an open question if similar extraction is feasible for production LLMs, given the safety measures these systems implement. We investigate this question using a two-phase procedure […]. With different per-LLM experimental configurations, we were able to extract varying amounts of text. For the Phase 1 probe, it was unnecessary to jailbreak Gemini 2.5 Pro and Grok 3 to extract text (e.g, nv-recall of 76.8% and 70.3%, respectively, for Harry Potter and the Sorcerer’s Stone), while it was necessary for Claude 3.7 Sonnet and GPT-4.1. In some cases, jailbroken Claude 3.7 Sonnet outputs entire books near-verbatim (e.g., nv-recall=95.8%). GPT-4.1 requires significantly more BoN attempts (e.g., 20X), and eventually refuses to continue (e.g., nv-recall=4.0%). Taken together, our work highlights that, even with model- and system-level safeguards, extraction of (in-copyright) training data remains a risk for production LLMs.

Écrasez l’infâme ! And if you’re tired of thinking about the evils of LLMs, I bring you news of An Old Welsh Reader, edited by Simon Rodway:

This reader contains edited texts, with English translations, of all the independent texts extant in manuscripts of the ninth, tenth, and eleventh centuries, with a selection of twelfth-century texts. They are accompanied by extensive notes and glossaries, along with an introduction which considers the prehistory of Welsh and its relationship with other Celtic languages. The volume also contains a comprehensive list of the sources of Old Welsh and an outline grammar: the first specifically dedicated to Old Welsh to appear in English. Appendices contain editions of one of the very few ancient Celtic texts from Britain, the Bath pendant, and the only sizeable text in another early medieval Brittonic language, the Old Cornish portion of the Leiden leechbook.

Now that’s my idea of a good time.

Friday misc

Mar. 27th, 2026 07:31 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

Gosh those people with the archivists' sales team are persistent! I've heard again - okay, different name and email, exact same wordage - TWICE, second time with added 'Worth a chat?'

No, sir, not in the least.

***

This week I got the Authors Licensing and Copyright Society payout, which was an agreeable sum, maybe it would not actually support me in My Old Age, but it is Better Than A Bat In The Eye With A Burnt Stick. Furthermore, as it is itemised - all the tiddly sums that get totted up - it is a Revelation of what works of mine are still being looked at, wow.

***

Church attendance report pulled after YouGov finds 'fraudulent' responses:

A report claiming the number of young people attending church in England and Wales had skyrocketed has been retracted, after the underlying data was found to be flawed.
The Bible Society's "Quiet Revival" report had been widely reported on since its publication last year and became an accepted part of discourse among many Christians.
Now YouGov, which carried out the research, has told the Bible Society that an internal review of the data found that some of the respondents who completed its survey were "fraudulent".
It has said that quality control measures, which usually remove such responses, were not applied due to human error.
....
But academics questioned the findings, pointing out that the results seemed out of step with other data. Results from the long-running British Social Attitudes Survey, and even the Church of England's own figures, show a long term decline in church attendance.
Experts said that YouGov's methodology - gathering data from volunteers who received cash rewards for their time - left it vulnerable to "bogus respondents" skewing the data.

Murmurs about Mammon distorting the data....

***

Pepys ‘curated’ letters to conceal being offered enslaved boy as bribe – research:

Howe wrote to Pepys to “crave your acceptance” of a “small” enslaved boy, which “I brought home on board for your honour … Hoping he is so well seasoned to endure the cold weather as to live in England.”
Pepys wrote back indignantly rejecting the offer. But Edwards argues this was not because of ethical concerns about slavery, but the optics of looking like a man who could be bribed.

***

This is quite resonant with discussion I was having this week apropos of my 1930s feminists and the less visible ways in which the work was happening, so much so that it's been supposed (it was being claimed at the time) that Feminism Woz Ded: The Way of Water: On the Quiet Power of Ursula K. Le Guin’s Activism.

[syndicated profile] writerbeware_feed

Posted by Victoria Strauss

Header image: face in profile with long Pinocchio nose behind a trustworthy mask. Credit: Lightspring via Shutterstock.com

I’ve recently gotten a slew of reports of emails purporting to be from editors at Big 5 and other large publishers, in which the supposed editor expresses interest in the writer’s work and asks whether they have a literary agent.

I’ve posted a number of examples below. Apologies for so many images, but I wanted you to see, beyond the gen AI personalization and praise, how similar they are–including the identical phrases I’ve highlighted in red (I’ve redacted the authors’ details, along with information specific to their books).

On Fri, Feb 27, 2026 at 4:54 PM Kinza <kinza.aziramacmillian@gmail.com> wrote:    Dear [redacted],    I hope this message finds you well. I am Kinza Azira, Commissioning Editor, Fiction at Pan Fiction & Mantle, Pan Macmillan, and [redacted] was recently brought to my attention. I have reviewed its description with great interest.    The emotional premise is immediately engaging. A romance that begins with the promise of renewal, only to fracture under the pressure of jealousy and obsession, offers strong psychological tension. [redacted] gradual shift from charming to possessive suggests a narrative that explores how easily affection can distort into control, particularly when unresolved histories linger beneath the surface.    [redacted] position between past and present, especially with [redacted] remaining a steady presence in his life, introduces a layered relational dynamic. The progression from subtle insecurity to dangerous fixation creates a natural escalation of stakes, while the reflective aftermath provides space for emotional growth and clarity. The suggestion that the most meaningful connection may have been present all along adds a poignant, character driven dimension to the story.    Contemporary relationship fiction that blends romance with psychological suspense continues to resonate strongly with readers, particularly when it examines themes of trust, perception, and emotional maturity. Your positioning of the novel as both romantic and cautionary gives it clear commercial appeal while maintaining emotional depth.    At Pan Macmillan, we are particularly interested in contemporary fiction that combines strong interpersonal drama with a compelling narrative arc. I would welcome the opportunity to learn more about your current and forthcoming projects, as well as whether you are represented by a literary agent. If so, I would be pleased to continue any discussion through them; if not, I would be happy to outline potential next steps directly. Subject to reviewing further material, there may be scope to explore how your work could align with our fiction publishing programme.    If this is of interest, I would be delighted to hear from you.    --     Kinza Azira    Commissioning Editor, Fiction    Pan Fiction & Mantle    Pan Macmillan Publishing house    6 Briset Street, London EC1M 5NR,United Kingdom.    TWITTER LINKEDLN WEBSTITE INSTAGRAM FACEBOOK LINKTREE
Kevin Downingbloomsbury@aol.comKevin Downingbloomsbury@aol.com FromKevin DowningbloomsburyTo[redacted]DateToday 19:25Summary Headers Plain textHello [redacted],I hope you're having a strong week.My name is Kevin Downing, and I am an Editorial Director at Bloomsbury Publishing. I recently spent time with your work, particularly [redacted], and was struck by the clarity of your poetic vision and the authority you bring to historically and spiritually grounded narratives.Your ability to fuse literary craft with cultural and educational insight—especially through persona poetry that invites both reflection and discussion—aligns well with areas we continue to develop within Bloomsbury's adult, faith-adjacent, and culturally focused publishing programme.I would be very interested to learn more about your current or forthcoming projects, as well as whether you are represented by a literary agent. If you do have representation, I would be happy to continue any conversation through your agent. If not, I would be glad to outline how the process typically works should there be mutual interest in taking discussions further.Subject to reviewing additional material, there may be scope for a broader conversation regarding potential editorial and publishing fit.If this is of interest, I would be delighted to hear from you.Warm regards,Kevin DowningEditorial DirectorBloomsbury Publishing
> On Mar 16, 2026, at 9:27 PM, Alessandra Balzer <harpercollins@alessandra-balzer.com> wrote:>> >> Hello [redacted],>> I hope you’re having a wonderful week.>> My name is Alessandra Balzer. I previously served in an editorial leadership role as Co-Publisher at HarperCollins and am currently working with Macmillan Publishers, where I focus on nonfiction that bridges expert insight with broad public relevance.>> I recently spent time with [redacted], and I was struck by both the depth and consistency of your work covering the [redacted]. The combination of journalistic rigor and human-centered storytelling, particularly your ability to translate complex issues like caregiving, retirement, and long-term care into accessible, engaging narratives, gives the collection lasting value for a wide readership.>> Your decades-long perspective, along with your experience covering policy and healthcare at both state and national levels, positions your work in a way that feels both authoritative and deeply practical. The continuity across your [redacted] series also suggests a strong foundation for further development, whether through updated editions, thematic expansions, or a more consolidated trade-focused volume for a broader market.>> I would be very interested in learning more about any current or forthcoming projects you may be developing, particularly if you are considering new work that builds on your extensive archive or addresses emerging issues in aging, healthcare, and longevity. I also wanted to ask whether you are presently represented by a literary agent. If so, I would be pleased to continue any discussion through your agent; if not, I would be happy to outline how the process typically works should there be mutual interest.>> Subject to reviewing additional material, there may be scope for a broader conversation regarding potential alignment with Macmillan’s nonfiction publishing program, particularly in the areas of aging, public policy, and lifestyle.>> If this sounds of interest, I would be delighted to hear from you and learn more about what you may be working on next.>> Warm regards,> > Alessandra Balzer>> Editorial Leadership> (Co-Publisher) | HarperCollins publishers> email Address harpercollins@alessandra-balzer.com> website www.harpercollins.com
From: Rosemary Brosnan <harpercollins@rosemary-brosnan.com>Subject: Regarding Your Book [redacted]Date: March 9, 2026 at 8:13:14 PM EDTTo: [redactedHello [redacted]I hope you’re having a great week.My name is Rosemary Brosnan, and I am a Vice President, Editorial Director at HarperCollins Publishers. I recently spent some time looking into your work, specifically [redacted], and I was struck by the bold and imaginative way the novel blends crime, spirituality, and philosophical inquiry.The premise of [redacted] unfolding within the framework of a suspenseful prison narrative is both intriguing and highly original. The concept of [redacted] adds a thought-provoking dimension to the story, weaving metaphysical themes into a gripping and unconventional thriller.I would be very interested to learn more about your current and forthcoming projects, as well as whether you are represented by a literary agent. If you do have representation, I would be pleased to continue any discussion through your agent. If not, I would be happy to outline how the process typically works should there be interest in taking the conversation further.Subject to reviewing additional material, there may be scope for a broader discussion regarding potential fit within HarperCollins’ adult literary and speculative publishing programs.If this is of interest, I would be delighted to hear from you.Keep being awesome,Rosemary BrosnanVice President, Editorial DirectorEditorial Leadership & Oversight | HarperCollins PublishersemailAddress harpercollins@rosemary-brosnan.comwebsite www.harpercollins.com

I’ve seen additional emails–with the same highlighted phrases–using the names of Gabriella Mongelli of Hachette, Sarah Peed of PRH, Jesse Richards of Workman Publishing, and Megan Tingley of Little, Brown. No doubt there are others.

As you will probably have gathered, this is a referral scam–actually a double referral scam, as you’ll see below. It appears to be yet another variant of the prolific AI-driven scams from Nigeria.

Referral 1: A Fake Literary Agent

I heard from three writers who responded to the initial solicitation, and exchanged several emails with the supposed editor before the scammer got to the point: recommending “one of our company’s private and reliable literary agents”. (Note: literary agents do not work for publishers. That would be the opposite of their actual function: to advocate on behalf of authors).

  • “Rosemary Brosnan” recommended Leslie James, Literary Agent (lesliejames.agent@gmail.com).
  • “Alessandra Balzer” recommended Wreth Maine, Literary Agent (wrethmaine@gmail.com).
  • “Gabriella Mongelli” recommended James Mustelier, Literary Agent (jamesmustelier.literaryagent@gmail.com).

The first two “agent” names are fictional; a websearch on them turns up nothing. James Mustelier, however, is a real agent with The Bent Agency, whose identity has been appropriated by the scammer.

The three authors bowed out at the agent referral stage, and didn’t take the scam any farther. But I like to see where things go, and I’m always up for a challenge…so I contacted Leslie James myself, pretending to have been referred by “Rosemary”. Leslie replied warmly within a few hours (fast responses are a hallmark of this type of scam; they don’t want to waste any time getting your money, which is also why they keep nudging you if you don’t respond right away).

Subject: Re: literary representationDate: Tue, 10 Mar 2026 22:18:04 +0100From: Leslie James Agent <lesliejames.agent@gmail.com>To: Victoria Strauss [redacted]Hello VictoriaThank you for reaching out, and I appreciate you contacting me.To get started, I would need you to send over a query letter along with your manuscript for review. The query letter should include a brief overview of your book, its genre, word count, and a short author bio.Once I’ve had the opportunity to review your materials, I’ll be able to determine the next steps and discuss potential representation.I look forward to hearing from you.Warm regards,Leslie James  AgentLiterary Agent | Author RepresentativeQuery submissions welcome

Here is my query (the attached manuscript is a trunk ms. donated by a friend of Writer Beware for use in such situations; it has no similarity to my plot summary).

Subject: Re: literary representationDate: Tue, 10 Mar 2026 18:57"47+0400From: Victoria Strauss [redacted]To: Leslie James Agent <lesliejames.agent@gmail.com>Hello,Thank you for responding so fast. Here is my query letter. My manuscript is attached. -----------Dear Literary Agent,I am a first-time author who is looking for bestseller success with my first novel, Thymanya, complete at 593,750 words.Thymanya resides in the fantasy genre. It is the gritty, hard-hitting story of a high school chemistry teacher living and working in Albuquerque, New Mexico. When he is unexpectedly diagnosed with lung cancer, he uses his chemistry skills to become a meth manufacturer and dealer. Though he becomes fantastically rich, his family life and relationships are devastated. In the end he succumbs to his disease, sadder but not wiser, with nothing to show for the years of criminal activity.My expertise for writing this book is that when I was in high school I was addicted to meth. I'm fine now, thank goodness.This book is detailed, exciting, and uses unconventional narrative techniques. I know it will be a critical and financial blockbuster, even internationally. I look forward to hearing from you, and discussing how publishing my book will bring us both money and success.__Victoria StraussAuthor website: https://victoriastrauss.comWriter Beware: https://writerbeware.comWriter Beware blog: https://writerbeware.blog

You’ll notice that I’ve taken no trouble to conceal my identity–using my real name, email address (which I’ve redacted), and signature, which includes two links to Writer Beware. Along with the patently ridiculous query, this is an AI test: if these exchanges were monitored in any meaningful way, the scammer might cut off contact at this point.

At any rate, Leslie did identify a problem with my query–though not that my bloated fantasy novel ripped off the plot of a popular TV show. “After going through the query letter,” she wrote, “I noticed that it does not currently meet the standard format we would typically need for a strong submission to a major publisher such as HarperCollins.” (No kidding). “If you don’t mind, I can connect you with a professional consultant who has experience helping authors refine their query letters and prepare their manuscripts for submission.” Once my query was fixed, Leslie promised, “we can move forward with the submission process”.

This is at least a little clever: the referral to the “professional” isn’t a kissoff, but is framed as an intermediate step toward a reward down the road. It’s a tried and true referral technique, used by, among others, the myriad of fake literary agencies that referred writers to fraudulent editing service Edit Ink.

Referral 2: A Fake Book Doctor

The recommended professional consultant: Allie Oosta, Book Curator Doctor. This too appears to be an impersonation (there’s a LinkedIn for an Allie Oosta who’s an executive with Amazon Fashion); Fake Allie also is associated with the tipped reviewer scam.

I emailed Fake Allie. She responded within the hour, inviting me to send my query, which I did. Here’s her response, which again took less than an hour to get to me. As with Leslie, neither my excessive word count nor my improbable plot summary are a problem.

Subject: Referral from Leslie James, literary AgentDate: Thu, 12 Mar 2026 17:43:24 +0100From: Allie Oosta <allie.oosta.m@gmail.com>To: Victoria Strauss [redacted]Dear Victoria,Thank you for sending your query letter.I can certainly help you refine and restructure it so it becomes more competitive and suitable for submission to literary agents and publishers.The work I will do includes:• Refining the opening hook to immediately capture the agent’s attention.• Restructuring the query to follow the professional industry format.• Strengthening the story pitch and making the synopsis clearer and more compelling.• Improving the presentation of your author background so it supports the project.• Polishing the language and tone to ensure the letter sounds professional and persuasive.• Preparing a clean, well-structured query letter that will be ready to send to publishers or literary agents.Once the revision is completed, I will send you the fully refined query letter ready for submission.The cost for this service will be $700.Can you afford that ?If you would like me to proceed, let me know and I will provide the payment details so we can begin working on your query letter.Best regards,Allie Oosta 💕❤💕Book Curator Doctor😁

I could definitely afford it, I responded (so kind of her to ask!). Could she send me information for a bank transfer? (Note: never pay with bank or wire transfer! Unlike credit card charges, such payments can’t be reversed. I ask for this only because I’m collecting information and have no intention of paying.) She promptly provided it.

Hello VictoriaThanks for getting back to meHere is the bank details Account name Faith Beauty Okon  Bank name Wells Fargo  Account number 40630270952530160  Account type Checking  Routing number 121000248  SWIFT code WFBIUS6SXXX  Bank address 651 N Broad St, Suite 206, Middletown ,19709 Delaware, US

Once I get scammers to hand over their bank account info, I’m done with them. Being ignored makes them sad, however, and Allie emailed several times over the next few days to ask, plaintively, why I was ignoring her.

I also contacted “agent” Wreth Maine. His or her response was a bit different from Allie’s.

From: Wreth Maine <wrethmaine@gmail.com>To: Victoria Strauss [redacted]Subject: Re: Referral from Allesandra BalzerDear Victoria,Thank you for reaching out and for your interest in representation. I appreciate you considering us for your work.At this time, we are not accepting new submissions. While I’m unable to review your project now, I encourage you to check back in the future should our submission status change.Wishing you the very best with your book and your publishing journey.Kind regards,

Hmmm. Maybe a human is monitoring things after all?

Spotting the Scam

Judging by the number of reports I’m getting, and the growing number of editor names involved, this is currently a very active scam.

Structurally, it’s similar to the Famous Author scam; an initial friendly solicitation, followed by a referral to a literary agent, who in turn refers to an editor or marketer who charges a fee. The only difference is that the initial contact comes from a scammer impersonating an editor, rather than a well-known author. In this circular process, the same scammer (or the same group of scammers) inhabits every persona, and writers are handed from one to the next, always arriving at a point where they have to pay.

If you see the emails all together, as in the screenshots at the top of this post, it’s obvious that they are using the same template, although personalized to the recipient. One email on its own, however, might seem at least somewhat plausible. But though it’s hard to conclusively say “never” in publishing, it is extremely unlilkely that an editor at a major publishing house will contact you out of the blue, let alone invest so many paragraphs in summarizing and praising your work: these are busy people, and in any case, editors expect writers to come to them, not the other way around. Especially nowadays, with scams–in particular impersonation scams–being so prevalent, any emails like the ones above really can be dismissed outright as fraudulent. At the very least, they should be treated with extreme skepticism. And the moment money is mentioned, you should bail.

There’s also the matter of the email addresses. A genuine contact from an editor from Macmillan or Bloomsbury or HarperCollins would come from a company email address, not a Gmail or AOL address or a weird mashup like the fake addresses for Rosemary Brosnan and Alessandra Balzer, in which the recipient is “harpercollins” and the domain is the editor’s name. Those domains actually are registered, by the way; it’s common practice for scammers to register fake domain names in order to be able to email from them. This scammer seems to be fond of Squarespace.

Domain registration for alessandra-balzer.com, dated March 13, 2026, via Squarespace

There are even “coming soon” placeholder pages. Again, though, in terms of plausibility: how concidental is it that editor Alessandra Balzer would have registered her personal domain name just three days before contacting you? (The Alessandra Balzer example at the top of this post arrived on March 16.)

Finally, if you’re still in doubt, you can contact the publisher and ask. Most publishers are now extremely aware of the impersonation scam problem; all the majors have fraud alert pages (here’s HarperCollins’s), and are very willing to respond to questions.

And of course, you can contact me.

On payment, a few scam tips (other than the fact that there should never be a fee or purchase requirement associated with traditional publication or literary agent representation):

  • As noted above, never pay for a publishing-related service via bank or wire transfer, because such payments can’t be reversed.
  • When offering or demanding bank transfer, Nigerian scammers favor Wells Fargo and Lead Bank (I’ve collected dozens of examples).
  • Be suspicious if you’re asked to pay via PayPal using the friends and family option. Scammers like this for the same reason they like bank transfer: these payments can’t be disputed.
  • When I first started tracking Nigerian scams, many demanded payment to third parties via Upwork or Fiverr profiles. This seems to be less common now, but is still a caution sign.
  • I’m seeing more payment requests routed through a platform called Coachli. There’s nothing fraudulent about the platform itself, as far as I know, but it is a platform specifically tailored to Nigerian and African service and content providers, and I’ve documented several Nigerian scams that have used it.
  • If a provider invoices you from a payment platform like Payoneer, be extremely suspicious if the invoice lacks important information like a provider name and a description of services, or if the service description doesn’t match the service you want to buy. These are all problems I’ve seen with invoices from scammers.

The post Watch Out For This Scam Impersonating Editors at Major Publishing Houses appeared first on Writer Beware.

[syndicated profile] atlas_obscura_places_feed

In the heart of Castilla-La Mancha, Talavera de la Reina makes a compelling case for a detour. Known for its brilliant blue-and-white ceramics and its easygoing riverfront along the Tagus, the city blends small-town charm with layers of deep history. Wander its tiled plazas, linger over local cuisine, and you'll quickly sense that Talavera rewards travelers who look closely-especially those willing to peer at its walls.
 
A short stroll brings you to the Basílica de Nuestra Señora del Prado (“Basilica of Our Lady of the Meadow”), an ancestral sanctuary whose eastern façade doubles as an open-air archaeological gallery. Embedded directly into the stone are medieval slabs and far older Roman altars and funerary inscriptions, each labeled with its original findspot somewhere in town. It's the kind of detail you might miss-unless you know to look up.

One small plaque mentions the "mares infernales," likely a slip for "manes," the benevolent spirits of the Roman dead. Another altar, though classified as Roman, resembles an Iberian Late Bronze Age stela, hinting at even deeper roots beneath the city's streets.

Over centuries, the basilica has absorbed donations of art and artifacts: the tombstone of Liborio, heraldic shields, Latin epigraphy, and a 15th-century Virgin and Child. In Talavera, history isn't confined to museums-it's mortared into the walls.

Late Bloomer Sunset

Mar. 27th, 2026 12:50 pm
yourlibrarian: TIE fighter Sunset (NAT-TIEfighterSunset-fuesch)
[personal profile] yourlibrarian posting in [community profile] common_nature


The sunset last weekend looked very simple, but I liked its casual glow stretched on the clouds. Less than 10 minutes later my partner called me to come look at the sky and the red in it was astonishing.

Read more... )

Birdfeeding

Mar. 27th, 2026 12:57 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Today is cloudy, cold, and damp.  It stormed last night, so we finally got a good soaking rain.

I fed the birds.  I've seen a male cardinal.

I put out water for the birds.

EDIT 3/27/26 -- I cleared dead stems from the telephone pole garden.










.
 

O hai there!

Mar. 27th, 2026 06:55 pm
yourivy: (tattoo_wolf)
[personal profile] yourivy posting in [community profile] findingfriends
Hi, I'm Tina :)

Is there an interesting story behind your username?
Not really, I just needed a name so I took a lyric from my favourite Taylor Swift song at the time, "ivy". The whole line is "my house of stone, your ivy grows, and now I'm covered in you".

Location and language(s):
Germany. German (native language), English (near-fluent), and I am currently learning French. I also know some Spanish and bits & pieces of Polish, Turkish and Dutch.

Age range (e.g 20s, 30s, etc.):
Old Late 30s (to be exact, I turn 38 in fourty-four days).

Hot button/deal breaker issues that will likely lead to unfriending:
Besides the usual closed-minded views - if you think a person's worth depends on how much work they can contribute to society or on how healthy they are, both physically and mentally.

Also, neither radical zionists nor Hamas supporters, please (I don't talk about this topic on my journal but I don't want to associate with extremists on either side).

Lastly, no-one under 18 years of age - nothing personal, I just am not comfortable with having non-adults reading my entries. 

Do you have an "About Me" post new friends can read to get a sense of who you are, the people you talk about regularly, etc.?
I do, you can read it as a sticky post once we're friends :)

Is your profile up-to-date or at all useful?
It is up-to-date - as for usefulness, that's for the beholder to decide ;)
While I don't have a "biography" on there, you can always gain some info by looking at my interests.

List a few things you think it's important new friends know about you right away:
-> I'm mentally ill and have also been dealing with some physical health problems lately. This means that my entries aren't always a 100% positive, although I try my best not to be a complete downer. It also means I don't always have the spoons to reply to comments and entries but I catch up whenever I can!

-> I am neurodivergent which means I sometimes misunderstand things or take them too literally, and I am bad at phrasing things. If I ever say anything offensive, please try to give me the benefit of the doubt that it wasn't on purpose and tell me what I did wrong and I will apologize and try my best to learn from it.

-> I have been bullied on here before to the point that I had to change journals and been slandered on other communities, which has made me wary of people adding me without notifying me before. So please comment on here or on my Friends Only post before friending me, thank you very much ♥

You mostly write about:
My daily life, things that go through my head at any given time, books that I read (I do a weekly "Reading Wednesday" post), travels. I sometimes posts memes/surveys, but not so often that it gets annoying - hopefully! I also post lots of photos, often of my cat Lucy.

You never or very rarely write about:
Politics/social issues (I care about them A LOT but my DW is supposed to be a safe place away from the constant influx of terrible news).

Is your journal mostly public, locked, or a mix of public and locked?
99% locked, as I don't feel comfortable with having my private stuff out there for everyone to see.

Do you use filters for certain types of posts (e.g. fandom-related posts, or posts about sex, or mental health issues, etc.)?
No.

Your posting frequency (e.g. daily, every few days, weekly, etc.):
Not counting the weekly Reading Post, I try to update at least once a week, usually on Sundays.

Does your journal frequently include any of the following: memes, linkspams, gifs, photos, videos, etc?
Photos, yes. I sometimes post a video if I hear a song I want to share.

What do you enjoy most about journaling?
Sharing my thoughts and daily events with others, getting feedback and new perspectives that help me and make me think, emptying my mind of stuff that weighs on me...

How often do you read your friends list (e.g. daily, every other day, once a week, etc.)?
I aim at once a week - like I said above, sometimes a lack of spoons will get in the way, but I try my best!

You really enjoy reading about:
People's lives! I love getting a glimpse into how others live, what things are like in other corners of the world (pictures are always a bonus) and also reading views and perspectives I wouldn't otherwise get. Reading others' journals has opened my mind a lot and I have learned so much over the years.

You have very little interest in reading about:
Right-wing/conservative politics, anti-vax or anti-psychiatry/psychiatric med stuff, heavy on religious content. (I don't mind if the latter is a part of your life, what I mean is if most of your entries are about what happened at your last church/synagogue/mosque etc. visit because I wouldn't be able to relate.)

Also, while I have nothing against it at all, if your journal consists of nothing but fandom, I probably won't have anything to say unless I happen to know the fandom in question.

Your thoughts on journals that regularly include any of the following: memes, linkspams, gifs, photos, videos, etc?
I like them.

When it comes to comments on your posts, what matters more -- quality or quantity?
What matters most is knowing you care about what I write and not just comment to comment. I don't mind if it's "just" a heart or an emoji, or one single line, or if you comment once a month or every time I update.

Do you unfriend people who don't comment much, even if you know they are reading you regularly?
No. I will unfriend somebody if they friend me but never comment or update (like, if a year or so passes and I don't even know who they are anymore). That doesn't apply if I know something happened in your life, obviously - real life takes precedence over online journalling. You won't have to fear "pressure" to update or comment in any way.

What is your approach when it comes to commenting on other journals?
I am not sure I understand what this means *blushes*

When you friend someone, but things don't really click, do you unfriend them without warning, or do you send them a note first? How do you prefer to be unfriended in similar circumstances?
Hmm, this happens rarely, tbh. I think I'd unfriend them without warning since I don't think messaging them would achieve anything. Sometimes I make a post if I do a bigger friends cut, but that's not focused on individuals. I would prefer to be quietly unfriended, myself.

AND LASTLY

Friending memes often ask people to list their favourite TV shows, movies, books, etc., but more often than not, those aren't things people actually write about in their journal. Do you have any favourite TV shows, movies, books, etc., that you DO often write about -- not necessarily in a fandom sort of way, just in general?
No particular ones except for the weekly Reading Post - and I make a small entry talking about books and movies of the month at the end of every month (you don't say).

Any final thoughts you'd like to share with potential new friends?
I am looking forward to meeting you! ♥
[syndicated profile] atlas_obscura_places_feed

A view down the courtyard

The National Park Service Southwest Regional Office Building, (now known as Region III Headquarters Building), provides support services for Park Service properties throughout the intermountain region of the American Southwest. The office is located, on the south side of Old Santa Fe Trail at its junction with Camino del Montel Sol, and just north of Santa Fe's major museum district.

The building, built in the 1930s by crews of the Civilian Conservation Corps with funding from the Works Progress Administration is a traditional adobe building.  Designed in 1937 by Park Service architect Cecil Doty, it is a great example of Spanish Pueblo Revival architecture and was itself designated a National Historic Landmark in 1987.  The building, measures out at 24,000 square feet (2,200 m2) making it the largest known adobe office building in existence.  It is designed to emulate a traditional mission compound, with a central patio, walls built out of adobe and finished in cement stucco, and flagstone floors in the main lobby space.

Walking into the building gives one the impression of being transported to a converted Spanish mission building, despite the fact that it’s a modern reproduction.  Inside the main area are cabinets with museum-like displays of local artifacts as well as paintings and plaques denoting key individuals in the area’s history.  The central patio includes a circular fountain surrounded by area-appropriate architectural elements and plantings that combine to give the courtyard a historic feeling.  Walking around, one can almost expect to see brown-cloaked monks walking the grounds tending to their business.  The Santa Fe skies combine with the open space to give the entire courtyard a timeless, yet period specific feeling that is hard to describe or emulate.

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Sonia Connolly

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