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I sang in a concert tonight. We got to sing in a local synagogue with fabulous acoustics because the synagogue's event director joined the choir this session. It was great to be able to hear each other and know that the audience was hearing us sound better too.

I had a small trio part in a Serbian song, and then a solo verse in a Ukrainian song where there were 17 (!) short verses and we each had one, except the last one we all sang together.

It all came together! I was nervous, but it all flowed, and I'm getting better at being able to open up and sing even with an audience there. As the sessions go by and we all get to know each other and get more comfortable with performing, the ambient nerves settle down and I have an easier time managing my own nerves. I used to outright panic, and now I worry a fair amount beforehand, but by the time the concert itself rolls around, I figure I'm as prepared as I'm going to get.

So grateful to get to sing with this teacher and these singers every week. This is a big piece of what I came back to the Bay Area for.
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O Generous One by Timothy Snyder, a Substack link with more history of Ukraine then and now. Excerpt below.



Excerpt from the article:
“Carol of the Bells” stands out because it arises from a different tradition: that of Ukrainian folk songs, and in particular ancient Ukrainian folk songs welcoming the new year, summoning the forces of nature to meet human labor and bring prosperity. These are called shchedrivky, “carols of cheer” or, a bit more literally, songs to the generous one. The word “magic” is used a good deal around Christmas; this song has its origins in rituals that were indeed magical. And perhaps this is exactly why it reaches us.

Before the advent of Christianity, and for that matter for centuries afterwards, these songs orchestrated and encounter with the forces that could bring what was sought, which was the bounty of spring after the cold of winter. The pagan new year began, reasonably, in February or March, with the arrival of the swallows or the equinox; the carols of cheer were pushed back towards January or December 31st by Christianity -- and one in particular was pushed deep into December by Americans, transformed into a Christmas carol.

The melody that I heard in St. Paul’s Cathedral in Toronto as “Carol of the Bells” is a Ukrainian folk song. It was arranged as “Shchedryk” by the Ukrainian composer Mykola Leontovych in the middle of the First World War, likely on the basis of a folk song from the Ukrainian region of Podilia. The four ancient guiding notes of the melody sound like the dripping of icicles joined by the singing of birds. Leontovych’s lyrics capture the earthy directness and incantatory purpose of the ancient songs. My English translation is no doubt inadequate and a little free -- in Ukrainian, for example, a dark-browed woman is by definition a beautiful woman, and so I have rendered her.

Ukrainian text and English translation )
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A kaval is an end-blown flute common in the Balkans. In Bulgaria, they're typically made of cherry wood and come apart into three pieces. In Macedonia, they're made of a lighter wood (ash?) and are narrower and all in one piece. I have one of each and can kind of get a sound out of them, which is an accomplishment.

David Bilides writes:
In 2019, Steve Finney produced a CD of Nikolay Doktorov, one of the many excellent kaval teachers we've been fortunate to have at the EEFC [Eastern European Folklife Center] camps, playing 17 solo pieces on Bulgarian kaval. In the interest of getting this wonderful music "out there," Nikolay has given his blessing to it being distributed for free via online download.

You can read about Nikolay and this project, and access the free CD files and booklet (designed by Dan Auvil) by visiting this web page:

https://izvormusic.com/cds/doktorov.html

EEFC puts on a couple of week-long camps a year, one on the east coast and one on the west coast. They also host a mailing list where very knowledgeable people share words to songs, have deep discussions on their meanings, post events, and occasionally share free music like this.
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Here's another song we're singing this time, Nazdrave Ti, Chorbadžijo, "Cheers to You, Master of the House." This is a caroling song with a strong dance rhythm, and I took to it much more happily than Otče Naš. Koleda is the Bulgarian term for the Christmas season. And I love the design of this album cover!

Cheers to you, master of the house!
Oh, Koleda!
We sing to you, we praise God.
As much sand there is by the sea,
May you have as much grain in this house.
As much water there is in the sea,
May you have as much wine in your barrels.
As many leaves as there are in the forest,
May you have as many sheep in your pens.

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The Balkan choir I sing with performed at a center for adults with disabilities on Friday, and we were vocally and enthusiastically received by the audience in their power and manual wheelchairs. It was stressful to prepare the songs for it, but fun once we were there, and I hope we'll do more like that.

One of the songs we sang is Otche Nash, a 4-part setting of the Lord's Prayer in Old Church Slavonic, which is like a mix of Bulgarian and Russian.

When someone proposed learning the song at the ad hoc monthly group a year ago, I was grumpy about having something so fundamentally Christian shoved down my throat, and we put it aside. In this weekly choir we learn whatever the teacher gives us, so I had to make my peace with it. Another singer said she doesn't mind it because it's asking the Universe for good things. I guess so...

Eva Quartet recorded it, and here's a live performance.

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I biked over Grizzly Peak this morning, in November sunshine so warm that I didn't even need my jacket for the usually-cold final descent into Claremont canyon. While Berkeley bathed in glorious sunshine, the Bay hid under a blanket of fog with the Golden Gate Bridge towers and San Francisco skyscrapers peeking out. I love the experience of climbing steadily past cute North Berkeley houses and gardens, with these spectacular views off to the side.

From the top, you can see a panoramic view of the Bay and surrounding cities spread out at your feet. By the time I got there, most of the fog had burned off, just clinging in a line along the Bay Bridge.

I never stopped missing that ride during my years in Portland. I haven't done it in more than a year because of my ankle injury, so I was very happy to be back on that road and still comfortably make it up and over.

Last night I biked across town to a concert of the Iavnana Ensemble, a community choir of 40 local people dedicated enough to learn and perform Georgian songs, plus their teacher and a visiting singer who is one of the foremost American singers of Georgian music. And he's giving a workshop tomorrow for the general public, so I'm going to that.

Earlier this week, Zele, the Balkan and Georgian community choir I'm in, sang four songs as part of a concert and grief ritual for people who have lost loved ones. As I walked over to the venue, and then later walked home, I thought, "This is why I came back."

Last week visiting Ukrainian ensemble Kurbasy performed with Kitka, and then they gave a workshop.

I came back for the amazing performers who come to town, for the workshops and singing groups I can participate in, and for the spectacular bike rides and scenery. I miss the vibrant fall colors of Portland, and it's fun to visit friends there now and again, but I am very glad I came back to the Bay Area.
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We had a very cool summer in the Bay Area! While much of the country is baking, Berkeley is bundling up by Daniel Ekonde and Sara Martin. When the rest of the country is hotter than normal, it pulls in cool air from the Pacific and it's cold along the coast.

Seattle's Dunava, my favorite Balkan choir in the Pacific Northwest, went to Bulgaria and Serbia this year and they're writing about it on their blog. Dunava Balkan Choir blog 2025.

Via network, ran across a recommendation for FlossGrip dental floss holder from Brussels. International shipping looks affordable, not sure how, and I might try it out.

Halbuki Linguist Cooperative offers online language classes for less available languages such as Ukrainian, Quechua, Albanian, Turkish, etc. Recommended by the same friend who is writing a language learning app.

Babatunde Olatunji, Jin-Go-Lo-Ba (video, music only). Fantastic Nigerian drummer. We went to see him perform in DC when I was a kid, and I've never forgotten his gorgeously rhythmic name which sounds like a drumbeat itself, and the way the drumming filled the amphitheater and resonated in my body.

NPR Founding Mother Susan Stamberg has died by David Folkenflik. Growing up in the DC area, we heard Susan Stamberg, Cokie Roberts, Nina Totenberg, and Linda Wertheimer on the radio all the time. I didn't realize it was unusual to hear women announcers. My belated thanks to these pioneers who filled my childhood with their resonant kind voices.
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One of the women in the Balkan community choir signed up to sing at the local farmer's market, and invited people to show up. Totally casual and disorganized, but it turned out well. About eight of us showed up (I was busy singing and didn't count, and people left and arrived at different times.) Everyone proposed songs at the same time and we all paged through our music. I had just alphabetized mine in its folder, but it still takes time to find things, and of course now I have to alphabetize it all over again.

We did manage to choose songs, and I awkwardly blew into my pitch pipe for starting notes, and we didn't even discuss who was singing which part, and we sounded pretty good. It was so casual that I wasn't even nervous about performing. It felt more like a private singing gathering that some people happened to hear.

It was a cool foggy day, so the market was uncrowded, and several small children watched us with pleased attention. Adults applauded, and even left money in the hat one of us put out.

Then there was an argument about what to do with $32.70 from the hat, and we ended up donating it to a homeless services center nearby, since there's an encampment right by the market. I bought my veggies and fruit for the week, and then sat with a few folks as they ate lunch and chatted.
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Balkan Folk Music Archive. Heather Meeker scanned in a huge archive of Balkan folk sheet music and made it available on this website.

Open Digital Archive, collections of memory items preserved by Armenian families all around the world, as well as concise microhistories of these families. Includes a video, Legends of Armenian kef Music, a history of Armenian American music by Ara Dinkjian. I've been looking for an Armenian recording I remember that included the melody from the beginning of Bach's Musette, with men singing "Ha, hey hey hey" on the fourth measure, and someone pointed me to this site. So far no luck finding it.

The Sound of Greek by Angelos Kanlis. Extremely geeky technical breakdown of Greek phonology.

Learn the Georgian alphabet by Apprenti Polyglotte, a friendly, hands-on series of pages to help learn the Georgian alphabet.
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Two lovely stories containing mutual support.

Saints Support Group and Coffee Hour by [archiveofourown.org profile] keita52 . A delightful modern-times AU for the Chalion Saga by Lois McMaster Bujold. Contains kindness and a noisy cat.

Endless Roads to Travel, Endless Lives to Live by [archiveofourown.org profile] snacky . "Three adventures Polly Plummer never had, and two she gave to others." AU for Narnia after The Magician's Nephew.

(Dunno what happened to the little AO3 icon, but the usernames are correctly linking to AO3 profiles.)

Bonus video: Best of Favorite Dance Moves (2024) by Ed People. This amazing guy goes around learning dance moves from dancers of many nationalities. The dancers are good teachers, too. This one includes a snippet of a Serbian Kolo, amidst lots of other dances that look a lot more difficult to me. Full of joyful energy.
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It's in the blood by Susan Kaye Quinn. An ultimately hopeful story about one way we could turn the corner and get out of this doom spiral.

Seven Commentaries on an Imperfect Land by Ruthanna Emrys, via [personal profile] forestofglory. I remembered linking to this before in 2020 but didn't realize I first read it in 2014!

The Lives of Lan Wangji by [archiveofourown.org profile] azurewaxwing, via [personal profile] forestofglory. It's a crossover between The Lives of Christopher Chant by Dianna Wynne Jones, and The Untamed. I'm not familiar with either one, but I thoroughly enjoyed the story.

At the Stopping Place by Grace Seybold, via [personal profile] mrissa's end of year short story list. A folk tale pattern from a different angle.

The Weight of Your Own Ashes by Carlie St. George, also via [personal profile] mrissa's list.
“Sure,” Gray says. “It’s strange. So? Who gives a shit? Lots of things are strange for a while, and then we get used to them—or else we stay limited and narrow and fucking sad.”


And a bonus link, related in that it's needed for a better world, You can't build love on lies by Girl on the Net. Note: the overall site is not at all work-safe, although the article is not related to sex work.
It’s not merely that the hurt from your lie will grow the longer it remains unsaid, it’s that all the love you built will collapse when it’s outed as well. The connection you’re maintaining with the person you’re lying to right now is constructed on shifting sand. Everything you pour into that relationship – whether romantic or friendly or collegial or whatever – is so much wasted bullshit. The love, care, friendship, compassion, understanding, affection and respect that person might feel for you… it’s all based on a lie! A false belief about who you are. If you are lying to your loved ones, then the love they give you back is just as fake as you are.


And because music makes everything better, [personal profile] forestofglory also recced "Sing for the Coming of the Longest Night" which is a line out of the beautiful Halsway Carol (video cued to start of singing) (lyrics).
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Since I made this list for someone, here are a bunch of Georgian songbooks I have collected over the years.
99 Georgian Songs by Edisher Garakanidze, Joseph Jordania, and others. As far as I know the only way to get this is to get it shipped from Wales, which is expensive, but it's a great resource. Comes with a CD of part tracks that I did not find useful.
Songbook Georgia by Tamar Buadze. This one is great too, and it is available in the US, although the language transliteration they use is different from the usual, it's more like Turkish. Tamar Buadze is the leader of Tutarchela. Comes with Tutarchela source recordings.
Supra! A Feast of Georgian Song by Carl Linich Includes CD
Forged in Fire, by Zedashe via Village Harmony Digital download, includes mp3s of Zedashe performing.
Georgian Folk Songs I, Village Harmony Digital download, includes mp3s.
Georgian Sacred Chorales, Village Harmony Digital download, includes mp3s.

Alazani.ge Treasure trove of downloadable Georgian folk music. Over on the right, choose ALL for tracks, and then you can search for songs, listen, and download. Spelling is idiosyncratic. You can also click Choirs on the left and browse around. For example, Tutarchela is fabulous. Some of the songs have words linked under Text, in the Georgian script, which you can transliterate at translit.cc.

Also, places to look for lyrics online
Songbat Lyrics Archive Lily Storm's site. Gives a warning about not being a private connection, but it's safe to view.
Hopp-Zwei-Drei Not so much Georgian, but lots of Balkan, since it's songs that have been used for folk dances. Mostly lyrics, some scores.
Folkloretänz Noten. This one has scores. Also more Balkan, although I did find a score for Heyamoli under Turkish/Laz.
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The Balkan choir I'm in goes for 7 or 8 week sessions, and then at the end we do a "song sharing" where we invite family and friends, sing the songs we've been learning, and then have a little potluck party. Here are some of the songs we're learning this time.

Songs! )
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I mentioned a while back that I've been playing piano again. I'm still at it, practicing for 10-15 minutes every day or every other day.

The book I'm learning from is Mastering Music Level 1A, Versatile Piano Studies for Older Beginners by Janet Vogt. It's well put together to gradually teach concepts with musically interesting pieces. I'm working on the last few pieces in that one, and I have 1B waiting for when I'm ready. I'm moving through it slowly, trying to learn the physical skills to hit the right keys, make the volume gradually get louder or softer, slur notes together, and play chords. Not to mention reading the music.

I had "What Every Pianist Needs to Know About the Body" by Thomas Mark et. al. for years, but never read it. Partly because the similar book for singers was so dense and technical. I sold it to Powells when I moved. But I got a copy recently via interlibrary loan, and it turns out to be very readable and useful. I might re-buy a copy to have it for reference. I reviewed it at more length.

What Every Pianist Needs to Know About the Body video also by Thomas Mark. This two hour video is a great companion to the book. I also had a copy of this and never watched it, so I was delighted to find the whole thing on the Internet Archive. Highly recommended if you're interested in good body mechanics.
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We're singing a Romanian song Sculați gazde nu dormiți in Balkan choir, so I sent out some pronunciation links. Posting them here so I can find them again in the future, and maybe folks here are interested too.

Here's a quick reference for Romanian pronunciation: socalfolkdance.org/resources/romanian.htm

And a more detailed reference on the language, including an alphabet pronunciation video: omniglot.com/writing/romanian.htm

I got curious and looked up the diacriticals. This curved diacritical ă is called a breve, pronounced "breev" or "brehv." This one with the point up â is a circumflex, and this one with the point down ǎ is a haček "hachek" (not used in Romanian, included for comparison). Source: altcodeunicode.com/alt-codes-letter-a-with-accents/

From the omniglot page in the Romanian pronunciation notes section, Romanian is one of the few languages that uses the letters s and t with a comma below (ș, ț). Using a cedilla instead (ş, ţ) is considered incorrect by the Romanian Academy.
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Looking back in my journal about Larry Gordon led me to this post, April 2023 about a video I was searching for, and the gorgeous Songs Stay Sung.

Here's Zoe Mulford and Windborne, because it is more relevant than ever. It made me cry, in a good way. I hope it resonates for you, too. "Love stays loved, and song stay sung."



I searched again for the video I'd been looking for then, 'child musicians from around the world joint video' and it was the first hit. Check out the young drummer, and all these other amazing young musicians and dancers.



And a similar joint video of adults in Turkey playing Hayde Gidelum in outdoor locations around the country. At the end it says they were inspired by playingforchange.com, who made the previous video.


And a cool making of video for that last one, with out takes.
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I've been singing with a Balkan community choir for the last couple of years. Sadly, one of the founding singers died of cancer a few weeks ago. At our recent end-of-session concert, we sang Heyamoli, one of her favorite songs, in her honor.

Her memorial service was yesterday over in Marin. I wasn't going to go, since it was during the work day and I'd have to find a ride. But they invited the choir to sing Heyamoli for her, and I wanted to support the effort, so I asked for 4 hours of bereavement leave at work, and asked choir members for a ride.

I'm glad I went! The memorial was at beautiful Fernwood Cemetery, and was filled with music, poetry, and heartfelt remembrances. Remembering Susan Fetcho at Radix Magazine has some of the same songs and stories.

I'm proud that I set aside time to go, and I'm proud of performing. It's not something that comes easily for me, although I didn't feel as much anticipatory panic as I have in the past. It's a song I've sung a lot, so instead of looking at the sheet music, I looked out at the chapel full of people gathered to grieve and sing and celebrate Susan's life, and sang for them.

Music links )
sonia: colorfully dressed men & women dancing in a circle (dance)
5. I am proud of my knowledge and skill at Balkan folk dancing. This is less complicated than feeling proud of singing. I was lucky to be introduced to folk dancing as a child, both in terms of acquiring skills young, and in terms of it being a life-saving anchor to community. Since then I've joyfully put in the hours of practice and hours of volunteer service running groups and festivals, and I am proud of all of that. I'm proud of teaching others and bringing them into the community and showing them how to lead.

Here I am summoned to lead Bulgarian dance Bičak at the 2024 Hoolyeh Reunion and Friends party in Corvallis. This one is leader-called, which means not only remembering all the steps and doing them in rhythm, but listening to the music and deciding when to switch to the next one. Leading Bičak at Hoolyeh )
sonia: Dreamwidth sheep in bi flag colors by @soc_puppet (bi dreamwidth)
4. I am proud of persevering in my study of Balkan and Georgian singing. Taking lessons and going to choir and volunteering for small solo or small group parts in our little performances. I do it because it's compelling and joyful and my inner compass points toward it inexorably. And it's hard and vulnerable and I feel like I'm not very good at it, although when I hear recordings of myself, I'm not so bad either. It's that thing about having better taste than skill, and also being surrounded by some fantastic singers. And struggling with my inner silencers and physical restrictions to letting my voice flow freely.

Here's a song I've been working on, Sazeimo Perkhuli from Georgia, sung live by Kitka )

And here is a recording of Georgian group Fazisi singing it. In looking for a source recording and listening to a bunch of their songs, it sounds like they're a source of a lot of the Georgian repertoire of American singing groups, probably via the research and teaching of Trio Kavkasia. Fazisi recording )
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Kitka sings this lovely Bulgarian song Son Mi Dojde (video link). The video notes state that they learned it from Le Mystere des Voix Bulgares in 1988.

I was asked if I had a Bulgarian source recording. I didn't have it in my large stash of folk recordings, and a general search online didn't turn up that version at all. Kvartet Bulgarka Junior did record a similar version (video link).

I got puzzled, and kept digging. Discogs.org, a comprehensive listing of old album contents, didn't list the song for Mystere des Voix Bulgares, but did list this likely looking album by Orchestra of the Bulgarian Television and Radio Folk Song Ensemble, which is their precursor. Balkanton published it as BHA 565.

I looked on archive.org to see if someone had uploaded this album. Sadly no, but while searching on the Balkanton number I did stumble across this treasure trove of rar archives of old Bulgarian recordings, and the odd Macedonian and Georgian songs too. It helps to read Cyrillic, and to have downloaded a rar decoding utility. The albums come from https://bulgarian-folk-treasure.blogspot.com .

I paused for thought, and then wrote to a folk dance teacher who helped me with another obscure album in the past. Yes, he had the album, and kindly sent me an mp3 of the source recording the next morning. Elapsed time from request to forwarding the recording, a little less than 24 hours.

I'm proud of knowing how and where to dig for information, and proud of continuing to think of new avenues when I get blocked. I use that a lot in my programming work, too. Back when I first got back into Balkan music after a long hiatus, I could tell it was important to me because I would keep digging for more information online, and get excited about what I found. Nowadays general search is getting less and less useful, but knowing specific places to search is still fruitful.

ETA: I uploaded the recording to dropbox: feel free to listen and download.

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Sonia Connolly

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