Oct. 16th, 2017

sonia: US Flag with In Our America All People Are Equal, Love Wins, Black Lives Matter, Immigrants & Refugees are Welcome, ... (tikun olam)
I first went to Race Talks, presentations and conversations about race, organized by Donna Maxey, back in April 2012, continuing for maybe a year after that. I learned a ton, and felt nourished by connecting with a diverse crowd learning about social justice together.

Then I went to one that included a heavy police presence as part of the conversation, and also got really busy with my tech job, and stopped going. The police presence was ostensibly friendly, but felt so oppressive I didn't want to go back. I do understand that it's a privileged position to be able to avoid them, and that Black folks are a lot more oppressed by police than I am.

I've thought of it since then, but figured surely it must have petered out by now.

Then last week I was paging through https://pdxactivist.org/ and noticed that Race Talks was coming up on the second Tuesday of the month as always! So I went. The topic was "White America: Become an Ally through Education & Dismantle Racism." Unsurprisingly for that topic, the crowd was mostly white. Looks like I missed some other good topics in past months! (Note to self: I could watch the videos...)

The panel discussion got sharp as Cameron Whitten (a Black man) confronted Randy Blazak (a white man) about microaggressions and reparations.

I was glad to see that Donna Maxey has gotten a lot firmer about asking for donations. I happily left a check for my October contribution.

I had planned to donate to Puerto Rico relief efforts for this month. I'm noting https://somosonevoice.com (via Shakesville) for next month.

I want to get more connected to communities of resistance. I plan to continue attending Race Talks, and I sent an email to P'nai Or, Portland's Jewish Renewal congregation. I need to be around more folks like me, where I don't feel too big too much too loud.
sonia: Quilted wall-hanging (Default)
Lauren Rusk has created a poetry chapbook, "What Remains to be Seen." The collection centers around her poems that respond to children’s artwork from the WWII ghetto/prison camp at Terezín near Prague. The ghetto was filled to overflowing with especially accomplished Jews, who were then secretly transported to extermination camps. Meanwhile the inmates wrote, composed, drew, performed, and taught each other whatever they knew, in an act of creative resistance that outlives them.

Lauren’s collection also includes modern-day poems with related concerns and love for the people they portray.

I'm finding that part of my resistance is contributing to the resistant, creative efforts of others. And then I get the occasional surprise in the mail when projects are complete!

Preorder at https://www.finishinglinepress.com/product/what-remains-to-be-seen-by-lauren-rusk/ . More orders this month result in a bigger print run.

Art saves lives, we say. Yes and no: nothing rescued the children of Terezín, though the drawings they left behind preserve something of their inventive play, their hopes, terror and questions. Lauren Rusk is an extraordinary observer; she brings to these artifacts a profound ability to discern in marks on a page the human complexity of the ones who made them. The great majority of these children went up in smoke in the absolute moral zero of the chimney stacks. But we can bear witness to them, still, in the precise, empathic and beautiful interventions of a poet who knows that what she can save is sometimes all we have, and never enough.

–Mark Doty, author of Fire to Fire: New and Selected Poems (National Book Award winner), Deep Lane, and other collections



Lauren Rusk resurrects the imaginations of children whose inner lives shine through contraband paper and color in artworks found when the labor camp Theresienstadt was liberated. She manages to re-create the works themselves, which often reflect a Chagall-like combination of lyricism and dissociation, and also to bring the children to life in their moments of vision and their persistent, subversive reach for beauty. Rusk serves as their transparent medium, selective and convincing, in this gem of a collection.

–Leslie Ullman, author of Progress on the Subject of Immensity (poems), Library of Small Happiness (essays), and other collections
sonia: Chocolate fluffy cat on a chair in the sun (basil chair)
My cat Basil had a broken jaw at some point before I knew him, and his jaw is still a bit askew. While it doesn't seem to bother him, I am categorically unwilling to put force on his jaw in any way.

He's been prescribed liquid antihistamines. Even though they're fish-flavored, he's still refusing to eat if I put them on his food. I tried to out-stubborn him for several days, but this morning I decided I should try giving him the medicine directly.

The usual technique is to force open the mouth at the back of the jaw. I did a web search for other options, and found this link that suggests picking up the cat's front half by the scruff of the neck to make the mouth open slightly. It worked great! Basil didn't even fight me, or turn his head away. (Granted I had a pretty good hold on his scruff...)
http://metzgeranimal.com/videos/giving-liquid-medication-to-your-cat/

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Sonia Connolly

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